Pete Townshend’s tale of a young boy’s journey from pain to triumph is electrifying. Post WWII England, Tommy becomes catatonic after he witnesses the murder of his mother’s lover by his father. When his pinball playing ability is discovered, he is able to break from his catatonia and becomes an international superstar. This powerful tale of a deaf, mute and blind pin-ball player who becomes an international messiah bursts on the stage in this multi-award winning adaptation of the original chart-topping rock album. Hit songs include “Pinball Wizard,” “See Me, Feel Me, Touch Me,” “Sensation,” and more.

“The Princess and the Pea” is a well-known fairy tale, but wait until you hear the true version of the story. The Minstrel, both a character within the story and the narrator, first sings the traditional version—but then he notes that it is “not quite accurate.” Did you know that the princess who actually wins Prince Dauntless the Drab’s hand is the 13th candidate for the job? Or that it wasn’t the pea at all that caused her such a sleepless night? This charming adaptation of the tale is full of humor, romance, and royal comeuppance, and the songs are hilarious, melodic, romantic, and occasionally a bit bawdy. From the opening notes of “Many Moons Ago” through “The Minstrel, the Jester, and I” to “The Swamps of Home,” you’ll laugh and tap your feel along with the Prince, who declares “I’m in Love With a Girl Named Fred.”

Bernard is planning a romantic weekend with his chic Parisian mistress in his charming converted French farmhouse, whilst his wife, Jacqueline, is away. He has arranged for a cordon bleu cook to prepare gourmet delights, and has invited his best friend, Robert, along too to provide the alibi. It’s foolproof; what could possibly go wrong? Well…. suppose Robert turns up not realizing quite why he has been invited. Suppose Robert and Jacqueline are secret lovers, and consequently determined that Jacqueline will NOT leave for the weekend. Suppose the cook has to pretend to be the mistress and the mistress is unable to cook. Suppose everyone’s alibi gets confused with everyone else’s. An evening of hilarious confusion ensues as Bernard and Robert improvise at breakneck speed.

Part one of Neil Simon’s autobiographical trilogy: a portrait of the writer as a young teen in 1937 living with his family in a crowded, lower middle-class Brooklyn neighborhood. Eugene Jerome, Simon’s alter ego, is the narrator and central character of the plot, dreaming of baseball and girls, and coping with the family’s daily struggles along with his formidable mother, overworked father, and his worldly older brother Stanley. Throw into the mix his widowed Aunt Blanche and her two young (but rapidly aging) daughters and you have a recipe for heartwarming hilarity, served up Simon-style. As the clouds of war gather over Europe, this bittersweet memoir evocatively captures the story of a loving Jewish household where, as his father states “if you didn’t have a problem, you wouldn’t be living here.” Definitely one of Neil Simon’s best works, and a show not to be missed.